UK-based music PR · Working with artists worldwide
Got a GREAT release coming in the next 3–6 months?
Before investing in music PR, make sure your release is ready. Stampede Press is a UK-based music PR agency specialising in rock, metal and alternative artists worldwide, including bands in the UK, USA, Canada and Europe. Our core expertise is targeted UK music press campaigns, pitching suitable releases for potential reviews, interviews and features. Every campaign is shaped by the music, release timing and realistic objectives.
Check If Your Release Is PR-ReadyNo pressure. Send the music and release details and Rob will tell you whether PR appears to make sense.
Rock and metal music media we approach
REAL ARTISTS. REAL EXPERIENCE.
A selection of artists connected with Stampede Press and Rob Town’s music-industry work.
Before you start a PR campaign
PR works considerably harder when the music, timing and supporting material are already in good shape. This page is for serious releases, not guaranteed-placement promises.
A HISTORY IN ROCK & METAL
A broader cross-section of artists from our rock and metal experience.
UK expertise. International artists.
Whether you're based in the UK, USA, Canada, Europe or further afield, Stampede Press can assess your EP or album and advise whether a UK music press campaign fits your goals.
You work directly with Rob, remotely. We focus on reaching relevant UK rock and metal journalists, magazines and online publications, rather than pretending every campaign provides worldwide media outreach.
For artists in North America, UK editorial coverage can provide independent credibility and useful reviews, interviews or press quotes for wider release marketing. Coverage, fan growth and sales are never guaranteed, and dedicated promotion in other territories requires separate discussion.
Real press. Real coverage.
Luna Marble — Manchester
Stampede Press helped Luna Marble build a 12-month media runway that led to multiple Classic Rock / Louder wins, including Tracks of the Week and ultimately a full-page “High Hopes” feature in Classic Rock Magazine.
The campaign combined positioning, long-term editorial relationship building and a focused 90-day album PR cycle. The point is not simply the logo: it is what can happen when a serious release is prepared early and positioned properly.
Read The Full Luna Marble Case StudyGot an EP or album coming up? Let's see whether professional PR could help your release earn meaningful press coverage.
Industry voices
“I can’t think of anyone better to advise emerging rock acts on strategy, growing an audience and formulating realistic and obtainable goals with music business, PR and marketing.”
“I have had the pleasure of working alongside Rob for many years, he is one of the good guys and is constantly evolving through this ever changing industry, staying ahead of the game.”
“If you’re an aspiring musician and want a reality check that can seriously help you navigate the choppy music industry waters, look no further than this. Rob is one of the UK’s most honest and genuine music business survivors.”
The bit worth understanding first
A strong record gives PR something to work with. Good timing, strong assets, a credible story and genuine artist activity make the campaign stronger.
Professional PR can put that release in front of relevant journalists. It cannot manufacture demand simply because you have paid for a campaign.
Before you spend money on PR, make sure the release is actually ready for it.
Realistic expectations
A Stampede PR campaign
Hiring a music PR agency should not feel like paying for a mysterious mailing list. The work is about positioning the release properly, presenting it to relevant media and managing the campaign professionally.
When comparing UK music PR companies or choosing a rock music PR agency, look beyond the size of a press list. Ask who will assess your music and release timing, which publications suit your sound, what pitching and follow-up involve, and how coverage is reported. Stampede Press specialises in UK rock and metal press campaigns rather than promising placements or worldwide editorial outreach.
Music, timing, story, aims and current assets are reviewed so the release has a clear angle.
Biography, artwork, photography, music, links and supporting information are checked before pitching.
The release is presented to appropriate rock and metal editors, writers, magazines, websites and webzines.
Suitable follow-ups, interview opportunities, journalist requests and campaign communication are managed.
Relevant coverage links and useful press quotes can continue supporting the artist after the active campaign.
The simple version
Music. Story. EPK. Artwork. Photography. Release timing.
Relevant rock and metal journalists and media. Not random mass outreach.
Reviews. Interviews. Features. Quotes. Credible coverage.
Beyond music press
A review or interview can introduce listeners to your music. It does not automatically turn those listeners into fans who buy CDs, vinyl, merchandise or tickets.
If your priority is fan growth and direct-to-fan revenue, Stampede Press also helps artists develop Meta advertising, email marketing and audience-building systems. Those services are separate from PR, and the right starting point depends on your band's goals.
Fan Growth & Revenue Sprint · Email Marketing for Musicians · Band HQ
PR budgets
Choose PR support that fits your release, your goals and your budget. We offer press release preparation and managed campaigns for independent rock, metal and alternative artists.
£299 is our press release service, not a full managed PR campaign. Managed promotional packages have different levels of service, depending on the campaign.
Entry PR starts at £399, mid-level PR at £599 and more extensive PR support at £999, subject to confirming suitability and current package details.
Tell us about your release and we’ll recommend a level of support that makes sense for your music and goals.
Coverage can never be guaranteed because editorial decisions belong to the publications and journalists themselves.
Ready to discuss your next release?
Got an EP or album on the way? Tell us about your music, your release date and what you want to achieve. We’ll assess the opportunity and recommend the right next step.
Music PR FAQs · UK & international artists
Planning an EP or album? Here’s what to know about choosing a publicist, timing your campaign and reaching the right music press.
Choose an agency with relevant experience in your genre, credible examples of editorial coverage and a clear approach to pitching and reporting. Find out who will manage your campaign, which music publications are relevant and whether the agency understands your release goals. The best choice is a good fit for your music, not simply the biggest list of media contacts.
Established professional relationships can help a publicist understand what particular journalists cover, how they prefer to receive music and when to approach them. Relevant pitches, useful assets and respectful follow-up are more valuable than sending the same email to hundreds of contacts. Editors remain independent and coverage is never guaranteed.
For a serious EP or album, it is sensible to start the conversation several months before release. That does not mean the active PR campaign necessarily runs for 3–6 months. Starting early gives more room to assess positioning, prepare assets and the EPK, account for journalist lead times and decide when pitching should begin.
It can be when the music, story, timing and assets are strong enough to give the campaign something useful to amplify. If audience demand, preparation or release positioning is the bigger problem, PR may not be the best use of the budget yet. That is why Stampede starts by looking at whether the release appears PR-ready.
No. Journalists and editors decide independently which releases they cover. A professional PR campaign can improve positioning, targeting, presentation and follow-up, but it cannot force an editorial yes.
No. A review is an independent editorial opinion. If a publication chooses to review the music, Stampede Press does not control the writer’s conclusion.
Stampede Press offers a press-release service from £299, with managed PR campaign options at different price points. The £299 entry-level service is not a full EP or album publicity campaign. The right option depends on your release, timing, assets and the amount of media outreach required. Contact us with your release details to discuss a suitable package.
A Stampede campaign can include release assessment and positioning, an EPK and press-asset check, targeted pitching to relevant rock and metal media, campaign management and appropriate follow-up, plus organisation of useful coverage links and press quotes generated by the campaign.
Ideally you should have finished or nearly finished music, a planned release date, artwork, strong photographs, a clear biography or artist story, release information and a reliable way for media to hear the music. If some pieces are missing, Rob may recommend fixing them before active pitching begins.
Yes. Stampede Press is a UK-based music PR agency working with suitable rock, metal and alternative artists worldwide, including the UK, USA, Canada and Europe. Campaigns can be organised remotely. Our core editorial expertise is in the UK music press, so we will discuss the geographic scope and suitability of your campaign before work begins.
Yes. American and Canadian bands can work with Stampede Press remotely when a UK music PR campaign suits their goals. UK press reviews, interviews and features can help develop recognition in the British rock and metal market and provide independent coverage to share with an existing audience. We will explain the scope before you book.
No. Working with international artists is different from providing publicity in every country. Stampede Press primarily specialises in UK music media outreach. Any need for dedicated US, Canadian or wider international press activity should be discussed separately, with the territories and deliverables made clear before a campaign starts.
The realistic opportunities include reviews, interviews, features, press quotes and credible third-party media coverage. The volume and type of coverage cannot be predetermined because outcomes depend on the release, timing, media fit and the independent decisions of journalists and publications.
Music PR can support discovery and build credibility through independent reviews, interviews and features. However, coverage alone does not guarantee fans, streams or sales. Artists can strengthen results by directing interest towards their website, mailing list, live shows and physical releases. Stampede also offers separate Meta advertising, email marketing and direct-to-fan services.
Music PR focuses on opportunities for independent editorial coverage, such as reviews, interviews and features. Paid marketing, including Meta advertising, can introduce your music to selected audiences and encourage measurable actions such as visiting your site, joining a mailing list or buying merchandise. The right mix depends on your goals, existing audience and budget.
There is no guaranteed formula. Strong music, relevant positioning, professional assets, sufficient lead time and a story that fits the publication all matter. Editorial familiarity can also build over time. The Luna Marble case study on this page shows how a longer media runway contributed to a full-page Classic Rock Magazine feature.
You will receive an honest recommendation. We may suggest adjusting the release date, strengthening your press assets, refining the story or building more audience interest before committing to a campaign. The aim is to recommend PR when it can genuinely support your release.
Tell us about your band, your music and your release plans. We’ll assess whether a UK press campaign is the right fit and explain your options.
If you have an EP or album coming, send Rob the details. He’ll look at the timing, music and what you’re trying to achieve and tell you whether PR makes sense as the next move.
Discuss Your Next Release