Welcome new fans properly
Give new subscribers a reason to understand the artist, hear the story and stay interested after the first sign-up.
MMF Member
Email marketing for musicians, bands & the music industry
Social platforms are useful, but you do not control who sees the next post. Email gives you a direct route back to people who have already shown an interest in your music, products, events or business.
I help bands, artists, managers, labels and music businesses use email to welcome new fans, nurture interest, support releases, sell physical products and tickets, follow up after purchases, re-engage quiet subscribers and build stronger repeat-customer relationships.
UK-based, working internationally. I support bands, musicians, labels and music businesses in the UK, USA and other countries remotely. Services are quoted in pounds sterling (GBP).
Tell me what audience you already have and what you want email to help achieve. I’ll review the enquiry personally and point you towards the most useful next step.
What can email marketing actually do for a music project?
The value is not the number of emails you send. It is having the right message arrive at the right stage of the fan or customer relationship.
Give new subscribers a reason to understand the artist, hear the story and stay interested after the first sign-up.
Use music, stories, archive material, access and useful content so every email does not feel like another sales pitch.
Build relevant campaigns around releases, pre-orders, physical music, merch, tickets, events, services and direct-to-fan offers.
Thank customers, follow up intelligently and create reasons for first-time buyers to become repeat supporters.
Already have an audience? The opportunity is often in what should happen next, not simply in sending more email.
Discuss My Email MarketingEmail marketing & automation
A useful email system can support several parts of the fan and customer journey. The right setup depends on what you already have, what people are doing now and what you want them to do next.
Anonymised results / commercial proof
The value of email compounds when people know the artist, receive something worthwhile and are then shown a relevant reason to act.
The point of this example is not simply the revenue number. It is that a warm audience can be reached again, segmented, measured and moved through different journeys depending on what people have already done.
This anonymised reporting shows why email can become a commercial asset rather than just a newsletter database. Results vary, and platform attribution is not the same as proving email alone caused every purchase.
More relevant emails
Someone who bought yesterday should not necessarily receive the same sales message as an engaged fan who has never purchased.
Better targeting can mean fewer wasted messages, more relevant offers and a better opportunity to turn interest into action without repeatedly selling the same thing to the same people.
Send the right message to existing customers, engaged non-buyers, recent buyers, repeat supporters, local fans and quieter subscribers.
Relevance is the commercial advantage. Better segmentation helps the email feel more appropriate to the person receiving it.
Improve My Email TargetingWhat can email automation sequences do?
Automation should not make the relationship robotic. It should make sure a useful next message is not forgotten when somebody joins, buys, clicks, shows intent or goes quiet.
Introduce the artist, story and music while a new subscriber’s interest is still fresh.
Build anticipation around a single, EP, album, pre-order or physical release.
Present signed, limited, exclusive or physical products with the story and context that makes them worth owning.
Use location, relevance and genuine urgency to support tours, launches and special shows.
Thank buyers, continue the relationship and introduce the next relevant step instead of ending at checkout.
Give quieter subscribers or past customers a reason to reconnect before continuing to email indefinitely.
You do not need every automation at once. The useful starting point is the journey that solves the most important audience or commercial problem now.
Discuss Email AutomationList health & deliverability
A database full of dead addresses, long-inactive contacts and poor-quality data can make your decisions worse and your emails harder to deliver.
If the list is large but engagement is weak, the next move may be cleaning and re-engagement rather than another sales campaign.
Review My Mailing ListMeasure what matters
Opens and clicks are useful signals. The more important question is what people do next.
Where the platform and ecommerce setup allow it, email can be assessed against actions such as product clicks, orders, repeat purchases, ticket interest, enquiries and platform-attributed revenue.
Attribution is platform reporting, not proof that email alone caused every purchase.
The aim is a clearer picture of what your audience responds to and what deserves to be repeated, changed or stopped.
Improve My Email ResultsPractical advice before you press send
More subscribers and more emails won't fix an unclear message or a weak offer. Start with these fundamentals.
Start a short welcome sequence while the fan still remembers why they signed up.
Give fans stories, music, context and reasons to care before presenting a relevant offer.
Where your data allows it, distinguish new subscribers, engaged fans and existing buyers.
Make the product and its value clear — signed CDs, limited bundles or meaningful fan exclusives can give the email a purpose.
Look beyond open rates. Use available clicks, checkout data, actual orders and customer response to decide what to improve next.
Already have subscribers and products? A 5–6 email automation could give your list a useful next step.
See The £350 Automation SprintWhere could email help most?
You do not need to diagnose the automation yourself. Tell me what is happening now and what you want to improve.
Why Stampede Press?
I understand both sides: making music and then having to find an audience willing to support it.
I work with email as part of real artist, direct-to-fan, physical-product and music-marketing activity. The point is not to build automations for the sake of automation. It is to make the communication more useful to the fan and more commercially useful to the artist or music business.
MMF member
Not sure what your list needs? Tell me what you already have and what you want it to do.
Talk To Rob About EmailDone-for-you · one-day setup
One focused day to put a useful email sequence in place — not just another newsletter. I'll plan, write and set up a tailored 5–6 email automation that welcomes or reconnects with your fans, tells your story and builds towards a relevant physical music or merchandise offer.
The aim is to create a repeatable sales opportunity that could recover the £350 fee over time. Sales and return on investment are not guaranteed; they depend on the audience, offer, margins and existing platform setup.
UK, US and international enquiries welcome. The £350 fee is charged in GBP; your bank or payment provider may convert it to your local currency and apply its own charges. This is a defined one-day service, not an ongoing retainer.
Choose the right starting point
Email automation is most useful when there is a genuine, permission-based audience to follow up with. If that's not where your band is yet, start with the underlying problem.
Reach relevant listeners and give them a reason to discover your music or join your mailing list.
Explore Meta Ads →Personal guidance to prioritise what your band actually needs before investing in another campaign.
Explore Band HQ →A structured plan for turning interest in your music into an owned audience and direct-to-fan sales opportunities.
Explore The Sprint →Already have subscribers and a physical offer? Put a story-led sequence in place for a fixed £350.
See What's Included →Email marketing for musicians FAQs
Straight answers about campaigns, automation, segmentation, list health and direct-to-fan email.
This service is most useful when you already have subscribers, customers or another legitimate audience you can email. If the first problem is list growth, include that in the enquiry.
No. Relevance, engagement and the existing relationship with the audience can matter more than raw list size.
Depending on the platform and available data, useful journeys can include welcome and nurture, release campaigns, post-purchase follow-up, repeat-customer journeys, re-engagement, ticket and event campaigns, buying-intent follow-up and other behaviour-led sequences.
Yes. Direct-to-fan email is particularly useful when the offer gives fans something streaming cannot provide: physical ownership, signed or personalised products, exclusive versions, bundles, limited editions or collector value.
Yes. Email can support tours, headline shows, album launches and special events, particularly where location, fan interest and genuine urgency can be used to make the message more relevant.
Yes. Where the available data allows it, engaged subscribers who have never purchased can be approached differently from recent buyers or repeat customers.
Where the email platform and ecommerce data allow it, purchase behaviour can be used so customers are not unnecessarily shown the same offer after buying.
I work with platforms including Drip and Sender. If you use another platform, include it in the enquiry and I’ll tell you whether it is suitable for what you want to achieve.
No. Results depend on the audience, offer, pricing, products, existing fan relationship, deliverability and wider campaign. Email can improve the opportunity; it cannot responsibly guarantee an outcome.
One focused day of work to plan, write and set up a 5–6 email automation sequence in a suitable existing email platform. The copy uses your band's story and leads towards a tailored physical music or merchandise offer. Your music, product details, platform access and shop links are needed to build it. Complex integrations, migrations or ongoing management are separate.
Yes. Stampede Press is based in the UK and works remotely with artists, bands, labels and music businesses in the USA and internationally. We can discuss your time zone, platform and campaign goals before agreeing a project.
Prices shown are in pounds sterling (GBP). The fixed-price Email Automation Sprint is £350 GBP. Depending on your bank or payment provider, the final amount in US dollars or another currency may vary with the exchange rate and any conversion fees.
I work with Drip and Sender, and can assess other platforms before confirming the scope. The £350 Sprint uses a suitable existing platform; a migration, complex integration or a new ecommerce build is not included.
I work with permission-based lists and can review practical sending and unsubscribe arrangements as part of the agreed setup. Requirements vary by audience and location, including US CAN-SPAM rules and UK privacy and electronic marketing rules. Legal compliance and privacy advice remain the responsibility of the list owner and, where needed, a qualified adviser.
Tell me what you want email to achieve
Release sales, merch, tickets, welcome journeys, post-purchase, re-engagement, segmentation or a healthier list — start with the outcome, not the software.
Enquire About Email MarketingNo sales call required to enquire. Results shown on this page are examples, not guarantees of future performance.